高清

荣耀六十年

7.0

类型：动作地区：中国香港年份：2013 语言：中字

主演：Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla

导演：赵依珍,苏西·帕尔克森,Chakrabarti

上次更新：2025-01-11 19:18:15

立即播放收藏

正片

剧情介绍

《荣耀六十年》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 《荣耀六十年》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 详情

影片评论

黑王子江哥:刚刚

在火车站旁，看着一列列火车飞驰而过，她只会愣愣地说：“这火车怎么开得这么快啊！”那时的我并不懂她，只会对她紧握的的手感到不满。
浪子杨:1分钟前

有一部外国电影，讲的是一个小女孩和一个小男孩在一个废弃的花园玩，挺老的电影，不知道叫什么
厄运大师:8分钟前

比赛结束，评委主席乌兰诺娃打出满分，评价说：“这是我20年来看到最年轻又最具古典表演风格的好演员，她前途无量。
刀不留人:6分钟前

很多人平时吃饭的时候必要看一部电影或者是电视剧，但是找来找去饭都凉了，都没有找到一部好看的电视剧。
采姑娘的老蘑菇:3分钟前

室内戏则是在摄影棚内拍的，因为修复这所监狱的内部比搭建同样的布景花费要高。
蕾蕾大大:4小时前

克瑞格很快成为一家公司职员，该公司位于某摩天大楼七八层之间的隔层里，高度仅为五英尺三寸。
那时的蜗牛:9小时前

从1940年问世以来，猫和老鼠在国内的火热程度自然也不言而喻，90年代引进中国后更是成为了一部老少皆宜的动画片，给一代又一代不同年龄、不同国家的观众带来了无数欢乐。
率然:1小时前

甚至就算比单部影片，当然是港产影片的精品，但是仅凭说无间道被好莱坞改编就盲目认为港产影片的国际影响力超过了宝莱坞，这就太片面了。
风梳烟沐:4小时前

但是不得不说，在那以后，奥利维亚的演艺生涯基本上顺风顺水，出演过很多大制作好剧本，喜欢希区柯克电影的，影迷们一定不陌生他她，她还靠拿到了奥斯卡最佳女主。
梓和钰:1天前

惠英从未见过他的真面目，但他却好像在惠英身边默默保护她，更每日静悄悄於惠英门前放下一盆雏菊，凭花寄意，将自己满怀爱慕灌注花中。