高清

O somma luce

6.2

类型：动作地区：中国大陆年份：2011 语言：中字

主演：/Giorgio Passerone/

导演：何坚,Adilson Magah,徐璧

上次更新：2024-12-24 03:14:37

立即播放收藏

正片

剧情介绍

《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 详情

影片评论

虚无厓:刚刚

由于促排卵药物如克罗米芬、hMG等的应用，多胎妊娠有上升趋势。
天痕壹月:6分钟前

最后大叔救出了小米，告诉她要好好地活下去，电影定格在两人拥抱的镜头，大叔脸上满是复杂与无奈。
洋梨子OvO:2分钟前

男主和他的枪童用三辆摩托拉着抢来的房车逃跑、后面的土著追击他们。
班般若:3分钟前

⑤ 一部欧美电影，关于丈夫为妻子和女儿的复仇，三个歹徒入室抢劫，丈夫好像是医生
绅士东:3分钟前

他们之间到底有着怎样的联系，罪犯到底是谁？越靠近真相，等待他们的越是惊人的秘密和阴谋。
紫色穹顶:1小时前

④ 10部最好看的韩国黑帮电影推荐《新世界》豆瓣87分居榜首
苏派0:1小时前

青春期的女生，都是愤怒、敏感、渴求、叛逆，想要爱，想要自我；害怕爱，不知道自己是谁。
六耳伪人:1小时前

里面有ZARA，优衣库，等等，有金鼎轩，汉拿上等等，楼上还有个电影院，还不错。里面也有儿童乐园，人挺多。
糖分控:6小时前

电影中出现了三张肖像画，你能看出情绪的变化么？因为电影的设定是一位才华洋溢的年轻女画家玛莉安，所以有人就觉得这几张画作并不惊艳，也对不上人物设定的女画家。
堪于一纸鸢:1天前

『柒』一部韩国电影主要讲述了一个少年被诬陷入狱之后越狱找到事情真相求这个电影的名字